91爆料

Brian Jansen

he/him
Assistant Professor, Communications and Journalism/English
Communication and Journalism

Brian Jansen (he/him) is assistant professor at the 91爆料 with a joint appointment between the Department of Communication and Journalism and the Department of English. A graduate of the University of Calgary with a PhD in English literature, Brian is a media studies and literary scholar in the qualitative critical cultural studies tradition, with an interest, broadly, in questions of 鈥渨ork鈥 or labor鈥揾ow we depict it, how we talk about it, how we find it fulfilling (or not). His work considers aesthetic production at the intersection of labor and capital, as well as the politics of American professional wrestling as a live performance artform which exists uneasily at the intersection of sport, theatre, stunt work, and serialized television. In particular, he is interested in pro wrestling as a lens for considering the tensions inherent in neoliberalism as a political project: the private sphere鈥檚 erosion of public life, the uneasy alliance of market-first and social conservatism, and the challenges of care work.

Brian has published on David Foster Wallace, George Saunders, Jeffrey Eugenides, Joshua Ferris, and Vladimir Nabokov, and young adult literature, with his work appearing or forthcoming in聽Comparative American Studies, the聽Canadian Review of American Studies,听Orbit: A Journal of American Literature,听ESC: English Studies in Canada, the聽Journal of Popular Culture, the聽European Journal of American Studies, and other venues.

鈥淟ocal to Where, Across the River?鈥: Detroit, Borderlands, and Cycles of Dispossession in Elmore Leonard鈥檚 Killshot.鈥&苍产蝉辫;Canadian Review of American Studies, vol. 55, no. 3, 2025, pp. 198-214. doi:10.3138/cras-2025-010

鈥溾赌楾he End of a Bright and Tranquil Summer鈥: Joshua Ferris鈥檚 Then We Came to the End and the Refusal of 9/11 Representations.鈥&苍产蝉辫;Concentric: Literary and Cultural Studies, vol. 46, no. 1, 2020, pp. 103-27. .

鈥溾赌極ddly Shaped Emptinesses鈥: Capital, the Eerie, and the Place(less)ness of Detroit in Jeffrey Eugenides鈥檚 Virgin Suicides.鈥&苍产蝉辫;Comparative American Studies: An International Journal, vol. 16, no. 3-4, 2019, pp. 101-15. .

鈥溾赌業t鈥檚 Still Real to Me鈥: Contemporary Professional Wrestling, Neoliberalism, and the Problems of Performed/Real Violence.鈥&苍产蝉辫;Canadian Review of American Studies, 2019, .

(with Hollie Adams) 鈥淕ood Work and Good Works: Work and the Postsecular in George Saunders鈥檚 CivilWarLand in Bad Decline.鈥&苍产蝉辫;European Journal of American Studies, vol. 13, no. 2, 2018, .

鈥溾赌榊es!鈥 鈥楴o!鈥 . . .  Maybe?: Reading the Real in Professional Wrestling鈥檚 Unreality.鈥&苍产蝉辫;Journal of Popular Culture, vol. 51, no. 3, 2018, pp. 635-56.

(with the University of Windsor Graduate Creative Writing Workshop) 鈥淗ow Do You Interview a Poet? A Conversation with Robert Kroetsch.鈥&苍产蝉辫;Robert Kroetsch: Essays on His Work. Guernica Editions, 2017, pp. 205-22.

鈥溾赌Betch you鈥 bootsh!鈥: Yiddish Literary Traditions and Jewish Humour in Abraham Cahan鈥檚 Yekl.鈥&苍产蝉辫;Journal of the Short Story in English / Les cahiers de la nouvelle, vol. 66, 2016, pp. 285-302.

鈥淶ygmunt Bauman, Postmodern Ethics, and Utopia as Process in Suzanne Collins鈥檚 The Hunger Games: 鈥業t鈥檚 the First Gift That鈥檚 Always the Hardest to Pay Back.鈥欌 Jeunesse: Young People, Texts, Cultures, vol. 7, no. 1, 2015, pp. 18-41.

鈥溾赌極n the Porousness of Certain Borders鈥: Attending to Objects in David Foster Wallace鈥檚 Infinite Jest.鈥&苍产蝉辫;ESC: English Studies in Canada, vol. 40, no. 4, 2015, pp. 55-77.

鈥溾赌業mitation of Life鈥: Vladimir Nabokov鈥檚 Pale Fire and Constructing Augustinian Ethos.鈥&苍产蝉辫;Literature, Rhetoric, and Values. Edited by Randy Harris, Shelley Hulan, and Murray McArthur. Cambridge Scholars, 2012, pp. 237-52.

Areas of Expertise

American studies
Cultural studies
Post-1945 and contemporary American literature
Television and film studies

Education

PhD, English Literature, University of Calgary, 2018
MA, English Literature and Creative Writing, University of Windsor, 2011
BA (Honours), English Rhetoric and Professional Writing, University of Waterloo, 2009
Portrait of Brian Jansen
Assistant Professor, Communications and Journalism/English