Paideuma 44

Thumbnail of cover for Paideuma volume 44
Volume 44 / 2017

Symposium

“In what sense does the work to which you are committed share in the renovation of society?â€

Rachel Tzvia Back, “Poetry in the 21st Century and Radical Faithâ€

Sarah Barnsley

Allison Cobb

Commune Editions

Maria Damon, “Potential Gristliesâ€

Rachel Blau DuPlessis, “Social Renovation and Cultural Work, an Essay for Paideumaâ€

Norman Finkelstein, “Affective Dissonance: Reflections on My Work in a Time of Crisisâ€

Alan Golding, “Reading, the Academy, and the ‘Soft’ Avant-Garde: Tan Lin’s Heath and Heath Course Pakâ€

Michael Heller, “‘In What Sense…’â€

David Herd, “Response to Paideumaâ€

Laura Hinton, “Political Poetics and Loveâ€

Linda A. Kinnahan

Ann Lauterbach, “Counting the Waysâ€

Philip Metres, “The Poem’s Futureâ€

Malgorzata Myk, “(Mis)Crossing Threadsâ€

A. L. Nielsen, “State/meant 2017â€

Jean-Michel Rabaté

Dale Smith, “A Note on Companionship, Division, and Poetryâ€

Askia M. Touré

David Trinidad, “One Readerâ€

Keith Tuma

Ann Vickery

Fred Wah, “For Paideumaâ€

Jerome McGann, “Indian Treaties and American Exceptionalism: Prolegomena to a Study of American Ideologyâ€

Other Essays

John Beall, “Pound, Hemingway, and the Inquest Seriesâ€

Julie Goodspeed-Chadwick, “Identity Politics, Modernist Aesthetics, and Modernist Abstraction in H.D.’s Helen in Egyptâ€

Margaret Konkol, “‘That Irate Pornographist’: Gender and Nature in Mina Loy’s ‘Songs to Joannes’â€

Mark Byers, “Moving Metres: Hilda Morley and Gestural Abstractionâ€

Notes on Contributors

Cover: Mercedes Matter, Landscape verso Abstraction (ca. 1928). Oil on board, 15 x 18.25 inches. Courtesy Mark Borghi Fine Art, New York.