Paideuma 44

Symposium
“In what sense does the work to which you are committed share in the renovation of society?â€
Rachel Tzvia Back, “Poetry in the 21st Century and Radical Faithâ€
Sarah Barnsley
Allison Cobb
Commune Editions
Maria Damon, “Potential Gristliesâ€
Rachel Blau DuPlessis, “Social Renovation and Cultural Work, an Essay for Paideumaâ€
Norman Finkelstein, “Affective Dissonance: Reflections on My Work in a Time of Crisisâ€
Alan Golding, “Reading, the Academy, and the ‘Soft’ Avant-Garde: Tan Lin’s Heath and Heath Course Pakâ€
Michael Heller, “‘In What Sense…’â€
David Herd, “Response to Paideumaâ€
Laura Hinton, “Political Poetics and Loveâ€
Linda A. Kinnahan
Ann Lauterbach, “Counting the Waysâ€
Philip Metres, “The Poem’s Futureâ€
Malgorzata Myk, “(Mis)Crossing Threadsâ€
A. L. Nielsen, “State/meant 2017â€
Jean-Michel Rabaté
Dale Smith, “A Note on Companionship, Division, and Poetryâ€
Askia M. Touré
David Trinidad, “One Readerâ€
Keith Tuma
Ann Vickery
Fred Wah, “For Paideumaâ€
Jerome McGann, “Indian Treaties and American Exceptionalism: Prolegomena to a Study of American Ideologyâ€
Other Essays
John Beall, “Pound, Hemingway, and the Inquest Seriesâ€
Julie Goodspeed-Chadwick, “Identity Politics, Modernist Aesthetics, and Modernist Abstraction in H.D.’s Helen in Egyptâ€
Margaret Konkol, “‘That Irate Pornographist’: Gender and Nature in Mina Loy’s ‘Songs to Joannes’â€
Mark Byers, “Moving Metres: Hilda Morley and Gestural Abstractionâ€
Notes on Contributors
Cover: Mercedes Matter, Landscape verso Abstraction (ca. 1928). Oil on board, 15 x 18.25 inches. Courtesy Mark Borghi Fine Art, New York.
