Paideuma 10.3
The Periplum
Robert Fitzgerald, “Mirroring the Commendia: An Appreciation of Laurence Binyon’s Versionâ€
Hiroko Uno, “Li-Po and Translation by Ezra Poundâ€
Scott Johnson, “The ‘Tools’ of the Ideogramic Methodâ€
Akiko Miyake, “Contemplation East and West: A Defense of Fenollosa’s Synthetic Language and Its Influence on Ezra Poundâ€
Marianne Korn, “Truth Near Perigordâ€
The Explicator
Eva Hesse, “Raymonde Collignon, or (Apropos Paideuma, 7-1&2, pp, 345-46): The Duck that Got Awayâ€
Eva Hesse, “Helen’s nostos, the ‘Cup of White Gold’â€
Xu Qi-Ping, “Pound’s Translation of a Chinese Poemâ€
Walter Baumann, “Gerhart…Ständebuchâ€
Jonathan Morse, “What’s His Nameâ€
Philip Furia, “Pound and Blake on Hellâ€
The Documentary
Ezra Pound, “Mr. Dunning’s Poetryâ€
Ralph Cheever Dunning, “The Four Windsâ€
Basil Bunting, “The Village Fieldsâ€
The Vortex
Edgar M. Glenn, “Pound and Ovidâ€
Harvey Kail, “Report on Works-in-Progressâ€
The Reviewer
Walter Sutton (George Kearns, Guide to Ezra Pound’s Selected Cantos)
George F. Butterick (Michael André Bernstein, The Tale of the Tribe: Ezra Pound and the Modern Verse Epic)
Bruce W. Richman (Forrest Read, ’76: One World and The Cantos of Ezra Pound)
Burton Hatlen (Marjorie Perloff, The Poetics of Indeterminacy: Rimbaud to Cage)
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The cover features a teardrop bottle from the Natzler Collection of Ceramics at the Los Angeles County Museum of Art. Photograph by Max Yavno.