Paideuma 12.2-3
The Periplum
Donald Davie, “Adrian Stokes Revisitedâ€
Walter Baumann, “But to Affirm the Gold Thread in the Pattern [116/797]: An Examination of Canto 116â€
Martin Kayman, “A Context for Hart’s ‘Complex’â€
Angela Elliott, “Pound’s Lucifer: A Study in the Imagery of Flight and Lightâ€
The Explicator
M. A. Bernstein, “Distinguendum Est Inter Et Inter: A Defense of Calliopeâ€
Timothy Materer, “H.D., Serenitas, and Canto CXIIIâ€
Mohammed Shaheen, “Pound and Blunt: Homage for Apathyâ€
Michael Fournier, “Chauncey Alcotâ€
The Biographer
John L. Steele, “Ezra at the DTC: A Correspondence between Carroll F. Terrell and John Steeleâ€
James Wilhelm, “The Wadsworths, the Westons, and the Farewell of 1911â€
Thomas Dilworth, “Virgil Thompson on Antheil and Ezra Pound, a Conversationâ€
Robert Schultz, “A Detailed Chronology of Ezra Pound London Years, 1908-1920â€
The Documentary
Mary Fitzgerald, “Ezra Pound and Irish Politics: An Unpublished Correspondenceâ€
Daniel Pearlman, “Fighting World: The Letters of Ezra Pound to Senator William E. Borah of Idahoâ€
Frances E. Neidhardt, “From Apelles to Pound’s ‘Usury’ Canto: Botticelli’s La Calumnia Goes Modernâ€
Michael Culver, “The Art of Henry Strater: An Examination of the Illustrations for Pound’s A Draft of XVI Cantos“
The Vortex
Lionel Kelly, “Eighth International Pound Conference: Reportâ€
T. C. Duncan Eaves, “In Memoriam — Ben Drew Kimpel (1915-1983)â€
Archie Henderson, “Ezra Pound: Composerâ€
The Reviewer
Carroll F. Terrell (Ezra Pound: A Bibliography)
John C. Hirsch (Il Miglior Fabbro)