Paideuma 13.3

Thumbnail of cover for Paideuma volume 13.3
Volume 13.3 / 1984

The Periplum

Angela Elliott, “Pound’s ‘Isis Kuanon’: An Ascension Motif in The Cantos“

Walter Baumann, “Ezra Pound’s Metamorphosis during His London Years: From Late-Romanticism to Modernismâ€

Marcella Booth, “Ezrology: The Class of ’57â€

James Longenbach, “Ezra Pound’s Canzoni: Toward a Poem Including Historyâ€

The Explicator

Carroll F. Terrell, “Salta Sin Barra!â€

Robert F. Fleissner, “Frost’s Ancient Musicâ€

N. M. Perret, “‘God’s Eye Art ‘Ou’: Eleusis as a Paradigm for Enlightenment in Canto CVIâ€

The Vortex

Colin Edwards, “Ninth International Pound Conference Reportâ€

Philippe Mikriammos, “Cantos, Traduction: Les Mésaventures de l’Originalâ€

The Reviewer

Akiko Miyake (Nobuko Tsukui, Ezra Pound and Japanese Noh Plays)

John J. Nolde (John Driscoll, The China Cantos of Ezra Pound)

Walter Baumann (Marianne Korn, Ezra Pound: Purpose, Form, Meaning)

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This cover shows Odysseus at the Mast, a fifth-century vase painting from Vulci. Pound was interest in the German version of Hugo Rahner’s Greek Myths and Christian Mystery (1957), from which this image was taken.