Paideuma 16.3

The Periplum
Marjorie Perloff, “Fascism, Anti-Semitism, Isolationism: Contextualizing the ‘Case of EP’â€
William McNaughton, “New Light on the Pisan Cantos and Rock-Drill: Milton Friedman and Herman Kahnâ€
Thomas Cole, “Ezra Pound and Imagi“
Robert McMahon, “Homer/Pound’s Odysseus and Virgil/Ovid/Dante’s Ulysses: Pound’s First Canto and the Commedia“
The Explicator
Archie Henderson, “More on James Douglas Peckâ€
Archie Henderson, “A Further Note on ‘The Return’â€
Mohammad Shaheen, “Pound and Itrat-Husainâ€
Bruce Fogelman, “Beddoes in the Sea Surge, or a Glimpse of The Cantos in 1908″
David Gordon, “A Rayogram M. 7306 YAO4“
Documentary
Carrie N. Edlund, “Picabia’s Ply over Plyâ€
Petr MikeÅ¡, “Ezra Pound in Czechoslovakiaâ€
J. Ellen Gainor, “Elektra by Ezra Pound, The Classic Stage Company, November 1-29, 1987″
The Reviewer
Philip Furia (William Cookson, A Guide to the Cantos of Ezra Pound; Christine Froula, A Guide to Ezra Pound’s Selected Poems)
John Tucker (Reed Way Dasenbrock, The Literary Vorticism of Ezra Pound and Wyndham Lewis: Towards the Condition of Painting)
Donald Gallup (Christine Froula, To Write Paradise: Style and Error in Pound’s Cantos)
•
This cover image shows the Apostle Paul on the wall of Galla Placidia’s Mausoleum. See cantos 76/455 and 110/780.
