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The Periplum

Jeffrey Twitchell, “Art and the Spirit of Capitalism: Iconography and History in The Usura Canto�

Peter Crisp, “Pound, Leibnitz and China�

Peter Dale Scott, “Anger in Paradise: The Poetic Voicing of Disorder in Pound’s Later Cantos“

Stephen Sicari, “The Epic Ambition: Reading Dante�

Scott Hamilton, “Serenely in the Crystal Jet: A Note on Pound’s Symbolist Inheritance�

E. P. Walkiewicz and Hugh Witemeyer, “A Public Bank in Canto 40�

Peter Dale Scott, “Pound in ‘The Waste Land,’ Eliot in The Cantos“

The Explicator

Demetres P. Tryphonopoulos, “‘The Fourth; the Dimension of Stillness’: D. P. Ouspensky and Fourth Dimensionalism in Canto 49�

Timothy H. Scherman, “Towards a New Translation of Canto III�

Reed Way Dasenbrock, “Cantos 72 and 73: What Kind of Textbook?�

Francis J. Bosha, “Hemingway and MacLeish on Pound: A Consideration of a Certain Unpublished Correspondence�

Barbara Will, “Pound’s Feminine Other: A Reading of Canto 29�

The Reviewer

Tim Redman (Jean-Michel Rabaté, Language Sexuality and Ideology in Ezra Pound’s Cantos)

D. M. Hooley (Pound/Zukofsky: Selected Letters of Ezra Pound and Louis Zukofsky, ed. Barry Ahearn)

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This cover is a pen and ink drawing of Ezra Pound at St. Elizabeth’s. A note from the original editors: “If anyone can figure out the signature, please let us know.�