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The Periplum

Walter Baumann, “Yeats and Ireland in The Cantos“

Paul Skinner, “Pounding, Hoofing, Kipling: Attitudes to Rudyard Kipling in the Writings of Ezra Pound and Ford Madox Ford�

Tim Dean, “How Long Is the Pound Era?�

Marinelle Ringer, “The Rhythmic Structure of Pound’s Canto IV�

Norman Wacker, “The Subject Repositioned / The Subject Repossessed: Authority and the Ethos of Performance in The Pisan Cantos“

Steven Yao, “‘And With You Especially, There Was Nothing at Cross-Purpose’: Pound’s Treatment of Women in Cathay“

Maria Luisa Ardizzione, “Pound’s Language in Rock-Drill, Two Theses for a Genealogy�

The Explicator

Elizabeth Bruce, “Empedocles’s Golden Age of Aphrodite in Pound’s Later Cantos�

K. Narayana Chandran, “Ezra Pound’s ‘Meitatio’: Two Notes�

Songping Jin, “‘The Coral Face,’ ‘The Tree of the Visages’ and the Cherry Tree�

Sylvan Esh, “‘In a Station’: Provence, London�

Jyan-Lung Lin, “Pound’s ‘In a station of the Metro’ as a Yugen Haiku�

Richard R. O’Keefe, “Impingement: The End of Pound’s Canto LXXX“

David Gordon, “The Golden Caesura (2)�

Documentary

Lawrence S. Rainey, “A Poem Including History [facsimile reprint]�

Ira B. Nadel, “The Cantos of Ezra Pound . . . . . . A Poem Including History: A Checklist of Items on Exhibit at the Beinecke Rare Book & Manuscript Library 20 October-22 December 1989�

Sebastian D. G. Knowles, “Ezra Pound to Alice Steiner Amdur, 23 January 1937�

Archie Henderson, “Addenda to ‘Pound Centennial Events: A Checklist’â€�

The Reviewer

Laura Cowan (James Longenbach, Stone Cottage: Pound, Yeats, and Modernism)

Cover: Japanese Tea Garden, Botanical Garden, Denver, Colorado. Photograph by Marie Alpert.