91±¬ÁÏ

The Periplum

Songpin Jin, “Observation of Natural Scenes: Ta Hsüeh and Pound’s Later Cantos�

Fan A. Shen, “Yijing and Pound’s Cantos (1) and (2)�

Xiaomei Chen, “Rediscovering Ezra Pound: A Post-Colonial ‘Misreading’ of a Western Legacy�

Christine Syros, “Beyond Language: Ezra Pound’s Translation of the Sophoclean Elektra“

Jonathan Brewer, “Practice, ‘Taught and the Not Taught,’ in The Pisan Cantos“

Piotr Parlej, “The Provence of the North: Pound’s Poetics of Tension�

Peter Crisp, “Pound as Gnostic? Creative Mythology and the Goddess�

Ethan Lewis, “Super-Position: Interpretive Metaphor�

The Explicator

Songpin Jin, “Flowers, Wings, in the Garden Enclosure�

Martin Scott, “The Transcendental Ideogram: The Influence of Emerson on Ezra Pound’s Ideogrammic Method�

Omar S. Pound, “Canto LXXV: Clement Janequin & Arrangements of His Text: ‘Canzoni di Li Ucelli’â€�

Douglas Bruster, “Pound, Frost, and ‘Literary Integrity’ at Harvard�

The Vortex

Yorio Hirano, “Report of the 14th Annual Conference of the Japan Ezra Pound Society�

Shinji Watanabe, “Report on the Fifteenth Annual Meeting and Conference of the Ezra Pound Society of Japan at Rikkyo University, October 30, 1993�

The Reviewer

Timothy Materer (Leon Surette, The Birth of Modernism: Ezra Pound, T. S. Eliot, W. B. Yeats, and the Occult)

Robert Spoo (A Walking Tour in Southern France: Ezra Pound among the Troubadours, ed. Richard Sieburth)

Tony Tremblay (Gail McDonald, Learning to Be Modern: Pound, Eliot, and the American University)