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Special Issue
EZRA POUND AND AFRICAN AMERICAN MODERNISM
Guest edited by Michael Coyle

CONTENTS

Michael Coyle, “Introduction�

Pound and the Poets of African American Modernism

Kathryne V. Lindberg, “Rebels to the Right/Revolution to the Left: Ezra Pound and Claude McKay in ‘The Syndicalist Year’ of 1912�

Jonathan Gill, “Ezra Pound and Langston Hughes: The ABC of Po’try�

C. K. Doreski, “Reading Tolson Reading Pound: National Authority National Narrative�

Reed Way Dasenbrock, “Why the Post in Post-Colonial Is Not the Post in Post-Modern: Homer, Dante, Pound, Walcott�

African American Presences in Pound’s Work

Alec Marsh, “Letting the Black Cat out of the Bag: A Rejected Instance of ‘American-Africanism’ in Pound’s Cantos“

Aldon Lynn Nielsen, “Ezra Pound and ‘The Best-Known Colored Man in the United States�

Burton Hatlen, “Ezra Pound, New Masses, and the Cultural Politics of Race circa&²Ô²ú²õ±è;1930″

Kevin Young, “Visiting St. Elizabeth’s: Ezra Pound, Impersonation, and the Mask of the Modern Poet�

Primary Materials

David Roessel, “‘A Racial Act’: The Letters of Langston Hughes and Ezra Pound�

Reviews on African American Modernism

Mary Ann Calo, “Review Essay on Modernism, Visual Culture and the Harlem Renaissance�

Kevin J. H. Dettmar (Michael North, The Dialect of Modernism: Race, Language, and the Twentieth-Century Literature)

Review on Pound

Alec Marsh (The Cambridge Companion to Ezra Pound, ed. Ira Nadel)