Paideuma 35.1-2
Essays
George Bornstein, “What Does a Collected Edition Collect? Mapping Modernist Poetryâ€
Carla Billitteri, “The Passion of Becoming an Objectâ€
Thomas Day, “‘A Broken Coriolanus’: Poetics, Politics, and Self-Surrenderâ€
Enikő Bollobás, “Canon Politics and Experimental Writing: The Example of L’Encre Sympathique of Robert Duncan’s H.D. Book“
Donna Krolik Hollenberg, “‘The Deeper Unsatisfied War’: Robert Duncan’s Poems for H.D.â€
Catherine A. Rogers, “H.D.’s Erotic and Aesthetic Gospel in Notes on Thought and Vision“
Richard A. Iadonisi, “Amy Lowell and the Gendered Aesthetics of Haikuâ€
Patricia Cockram, “Tard, Très Tard: Ezra Pound and Franceâ€
Zhaoming Qian, “Ezra Pound and His First Chinese Contact for and against Confucianismâ€
J. Mark Smith, “The Sign of the Translators: I. A. Richards, Ezra Pound, and ‘Debabelization’â€
Mark McMorris, “Zukofsky’s Bilingual Catullus: Theoretical Articulationsâ€
Reviews
Stephen J. Adams (Cavalcanti: A Perspective on the Music of Ezra Pound, ed. Robert Hughes and Margaret Fisher; and Margaret Fisher, Ezra Pound’s Radio Operas)
Bernard Dew (The Ezra Pound Encyclopedia, ed. Demetres Tryphonopoulos and Stephen J. Adams)
Timothy Materer (Miranda B. Hickman, The Geometry of Modernism: The Vorticist Idiom in Lewis, Pound, H. D., and Yeats)
Lesley Wheeler (Cristanne Miller, Cultures of Modernism: Marianne Moore, Mina Loy, and Else Lasker-Schuler: Gender and Literary Community in New York and Berlin; and Critics and Poets on Marianne Moore: “A Right Good Salvo of Barks,†ed. Linda Leavell, Cristanne Miller, and Robin G. Schulze)