{"id":1104,"date":"2023-04-11T17:55:03","date_gmt":"2023-04-11T21:55:03","guid":{"rendered":"https:\/\/umaine.edu\/poetry\/?page_id=1104"},"modified":"2024-10-09T12:08:10","modified_gmt":"2024-10-09T16:08:10","slug":"volume-10-2","status":"publish","type":"page","link":"https:\/\/umaine.edu\/poetry\/volume-10-2\/","title":{"rendered":"Paideuma 10.2"},"content":{"rendered":"<style>.kb-row-layout-id1104_5cca2f-ec > .kt-row-column-wrap{align-content:start;}:where(.kb-row-layout-id1104_5cca2f-ec > .kt-row-column-wrap) > .wp-block-kadence-column{justify-content:start;}.kb-row-layout-id1104_5cca2f-ec > .kt-row-column-wrap{column-gap:var(--global-kb-gap-md, 2rem);row-gap:var(--global-kb-gap-md, 2rem);padding-top:var(--global-kb-spacing-sm, 1.5rem);padding-bottom:var(--global-kb-spacing-sm, 1.5rem);grid-template-columns:minmax(0, 1fr) minmax(0, 2fr);}.kb-row-layout-id1104_5cca2f-ec > .kt-row-layout-overlay{opacity:0.30;}@media all and (max-width: 1024px){.kb-row-layout-id1104_5cca2f-ec > .kt-row-column-wrap{grid-template-columns:minmax(0, 1fr) minmax(0, 2fr);}}@media all and (max-width: 767px){.kb-row-layout-id1104_5cca2f-ec > .kt-row-column-wrap{grid-template-columns:minmax(0, 1fr);}}<\/style><div class=\"kb-row-layout-wrap kb-row-layout-id1104_5cca2f-ec alignnone wp-block-kadence-rowlayout\"><div class=\"kt-row-column-wrap kt-has-2-columns kt-row-layout-right-golden kt-tab-layout-inherit kt-mobile-layout-row kt-row-valign-top\">\n<style>.kadence-column1104_553c51-b3 > .kt-inside-inner-col,.kadence-column1104_553c51-b3 > .kt-inside-inner-col:before{border-top-left-radius:0px;border-top-right-radius:0px;border-bottom-right-radius:0px;border-bottom-left-radius:0px;}.kadence-column1104_553c51-b3 > .kt-inside-inner-col{column-gap:var(--global-kb-gap-sm, 1rem);}.kadence-column1104_553c51-b3 > .kt-inside-inner-col{flex-direction:column;}.kadence-column1104_553c51-b3 > .kt-inside-inner-col > .aligncenter{width:100%;}.kadence-column1104_553c51-b3 > .kt-inside-inner-col:before{opacity:0.3;}.kadence-column1104_553c51-b3{position:relative;}@media all and (max-width: 1024px){.kadence-column1104_553c51-b3 > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}@media all and (max-width: 767px){.kadence-column1104_553c51-b3 > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}<\/style>\n<div class=\"wp-block-kadence-column kadence-column1104_553c51-b3\"><div class=\"kt-inside-inner-col\"><style>.kb-image1104_530854-58 .kb-image-has-overlay:after{opacity:0.3;}<\/style>\n<figure class=\"wp-block-kadence-image kb-image1104_530854-58 size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"681\" height=\"1024\" src=\"https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/02\/pai-10-2-681x1024.jpg\" alt=\"Thumbnail of cover for Paideuma volume 10.2\" class=\"kb-img wp-image-408\" srcset=\"https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/02\/pai-10-2-681x1024.jpg 681w, https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/02\/pai-10-2-200x300.jpg 200w, https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/02\/pai-10-2-768x1154.jpg 768w, https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/02\/pai-10-2-93x140.jpg 93w, https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/02\/pai-10-2-317x476.jpg 317w, https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/02\/pai-10-2-423x636.jpg 423w, https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/02\/pai-10-2-634x953.jpg 634w, https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/02\/pai-10-2-846x1271.jpg 846w, https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/02\/pai-10-2.jpg 883w\" sizes=\"auto, (max-width: 320px) 85vw, (max-width: 768px) 67vw, (max-width: 1024px) 62vw,681px\" \/><figcaption>Volume 10.2 \/ 1981<\/figcaption><\/figure>\n<\/div><\/div>\n\n\n<style>.kadence-column1104_1c32ed-d6 > .kt-inside-inner-col,.kadence-column1104_1c32ed-d6 > .kt-inside-inner-col:before{border-top-left-radius:0px;border-top-right-radius:0px;border-bottom-right-radius:0px;border-bottom-left-radius:0px;}.kadence-column1104_1c32ed-d6 > .kt-inside-inner-col{column-gap:var(--global-kb-gap-sm, 1rem);}.kadence-column1104_1c32ed-d6 > .kt-inside-inner-col{flex-direction:column;}.kadence-column1104_1c32ed-d6 > .kt-inside-inner-col > .aligncenter{width:100%;}.kadence-column1104_1c32ed-d6 > .kt-inside-inner-col:before{opacity:0.3;}.kadence-column1104_1c32ed-d6{position:relative;}@media all and (max-width: 1024px){.kadence-column1104_1c32ed-d6 > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}@media all and (max-width: 767px){.kadence-column1104_1c32ed-d6 > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}<\/style>\n<div class=\"wp-block-kadence-column kadence-column1104_1c32ed-d6\"><div class=\"kt-inside-inner-col\">\n<p><strong>The Periplum<\/strong><\/p>\n\n\n\n<p>Walter Baumann, \u201cEzra Pound and Magic: Old World Tricks in a New World Poem\u201d<\/p>\n\n\n\n<p>Hans-Joachim Zimmermann, \u201cEzra Pound, \u2018A Song of the Degrees\u2019: Chinese Clarity versus Alchemical Confusion\u201d<\/p>\n\n\n\n<p>Ian F. A. Bell, \u201cPound\u2019s Vortex: Shapes Ancient and Modern\u201d<\/p>\n\n\n\n<p>Helen M. Dennis, \u201cThe Eleusinian Mysteries as an Organizing Principle in the<em>&nbsp;Pisan Cantos<\/em>\u201c<\/p>\n\n\n\n<p>Daniel Bornstein, \u201cThe Poet as Historian: Researching the Malatesta Cantos\u201d<\/p>\n\n\n\n<p><strong>The Explicator<\/strong><\/p>\n\n\n\n<p>Eva Hesse, \u201cKlages in Canto LXXV\/450: A Positive Identification\u201d<\/p>\n\n\n\n<p>Peter D\u2019Eprio, \u201cCanto 74: New Light on Lucifer\u201d<\/p>\n\n\n\n<p>George Bornstein, \u201c\u2018What Porridge had John Keats?\u2019: Pound\u2019s \u2018L\u2019Art\u2019 and Browning\u2019s \u2018Popularity&#8217;\u201d<\/p>\n\n\n\n<p>Ben D. Kimpel and T. C. Duncan Eaves, \u201c\u2018Tremaine at 2 in the Morning\u2019 and Other Little Mysteries\u201d<\/p>\n\n\n\n<p>Daniel Pearlman, \u201cCanto 52: The Vivante Passage\u201d<\/p>\n\n\n\n<p>Reno Odlin, \u201cMaterials Toward an Essay on Zukofsky\u2019s&nbsp;<em>\u2018A\u2019<\/em>\u201c<\/p>\n\n\n\n<p>Franz Link, \u201cA Note on \u2018The Apparition of These Faces\u2026\u2019 in&nbsp;<em>The House of Mirth<\/em>&nbsp;and \u2018In a Station of the Metro&#8217;\u201d<\/p>\n\n\n\n<p><strong>The Biographer<\/strong><\/p>\n\n\n\n<p>David Anderson, \u201cBreaking the Silence: The Interview of Vanni Ronsisvalle and Pier Pasolini with Ezra Pound in 1968\u201d<\/p>\n\n\n\n<p>Michael King, \u201cGo, Little Book: Ezra Pound, Hilda Doolittle and \u2018Hilda\u2019s Book&#8217;\u201d<\/p>\n\n\n\n<p>David Feldman, \u201cEzra Pound: A Poet in a Cage\u201d<\/p>\n\n\n\n<p><strong>The Documentary<\/strong><\/p>\n\n\n\n<p>Ezra Pound, \u201cLetters from Ezra Pound to Joseph Brewer\u201d (edited with commentary by Brita Lindberg-Seyersted)<\/p>\n\n\n\n<p>Zeami Motokiyo, \u201c<em>Yoro<\/em>&nbsp;translated from the Japanese by Nobuko Tsukui\u201d<\/p>\n\n\n\n<p>Akiko Miyake, \u201cCommentary on Professor Tsukui\u2019s Translation of&nbsp;<em>Yoro<\/em>\u201c<\/p>\n\n\n\n<p><strong>The Vortex<\/strong><\/p>\n\n\n\n<p>Clark Emery, \u201cFather William\u201d and \u201cSt. Elizabeths\u201d<\/p>\n\n\n\n<p>John Shea and Timothy Romano, \u201cThe Pound-Williams Conference\u201d<\/p>\n\n\n\n<p><strong>The Bibliographer<\/strong><\/p>\n\n\n\n<p>Peter Schneeman, \u201cPound in Romania\u201d<\/p>\n\n\n\n<p>Eric Fridman, \u201cSources of Canto XIII\u201d<\/p>\n\n\n\n<p><strong>The Reviewer<\/strong><\/p>\n\n\n\n<p>David Anderson (<em>Italian Images of Ezra Pound: Twelve Critical Essays<\/em>, ed. and trans. Angela Jung and Guido Palandri)<\/p>\n\n\n\n<p>Clark Emery (Wendy Stallard Flory,&nbsp;<em>Ezra Pound and the Cantos: A Record of Struggle<\/em>)<\/p>\n\n\n\n<p>Fran\u00e7ois Sauzey (Michael Berstein,&nbsp;<em>The Tale of the Tribe: Ezra Pound and the Modern Verse Epic<\/em>)<\/p>\n\n\n\n<p>\u2022<\/p>\n\n\n\n<p>This cover features a cut from a poster announcing the issue of&nbsp;<em>Secolul 20,<\/em>&nbsp;which contained the \u201cEzra Pound \u2013 In Memoriam\u201d section. This photograph was provided by Peter Schneeman.<\/p>\n<\/div><\/div>\n\n<\/div><\/div>","protected":false},"excerpt":{"rendered":"<p>The Periplum Walter Baumann, \u201cEzra Pound and Magic: Old World Tricks in a New World Poem\u201d Hans-Joachim Zimmermann, \u201cEzra Pound, \u2018A Song of the Degrees\u2019: Chinese Clarity versus Alchemical Confusion\u201d Ian F. A. Bell, \u201cPound\u2019s Vortex: Shapes Ancient and Modern\u201d Helen M. Dennis, \u201cThe Eleusinian Mysteries as an Organizing Principle in the&nbsp;Pisan Cantos\u201c Daniel Bornstein, [&hellip;]<\/p>\n","protected":false},"author":2234,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_kad_blocks_custom_css":"","_kad_blocks_head_custom_js":"","_kad_blocks_body_custom_js":"","_kad_blocks_footer_custom_js":"","_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"class_list":["post-1104","page","type-page","status-publish","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.2 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Paideuma 10.2 - The Center for Poetry and Poetics - 91爆料<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/umaine.edu\/poetry\/volume-10-2\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Paideuma 10.2 - The Center for Poetry and Poetics - 91爆料\" \/>\n<meta property=\"og:description\" content=\"The Periplum Walter Baumann, \u201cEzra Pound and Magic: Old World Tricks in a New World Poem\u201d Hans-Joachim Zimmermann, \u201cEzra Pound, \u2018A Song of the Degrees\u2019: Chinese Clarity versus Alchemical Confusion\u201d Ian F. 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