{"id":331,"date":"2023-02-09T10:57:22","date_gmt":"2023-02-09T15:57:22","guid":{"rendered":"https:\/\/umaine.edu\/poetry\/?page_id=331"},"modified":"2024-10-08T11:07:20","modified_gmt":"2024-10-08T15:07:20","slug":"marianne-moore-woman-and-poet","status":"publish","type":"page","link":"https:\/\/umaine.edu\/poetry\/marianne-moore-woman-and-poet\/","title":{"rendered":"Marianne Moore : Woman and Poet"},"content":{"rendered":"<style>.kb-row-layout-id331_70bead-07 > .kt-row-column-wrap{align-content:start;}:where(.kb-row-layout-id331_70bead-07 > .kt-row-column-wrap) > .wp-block-kadence-column{justify-content:start;}.kb-row-layout-id331_70bead-07 > .kt-row-column-wrap{column-gap:var(--global-kb-gap-md, 2rem);row-gap:var(--global-kb-gap-md, 2rem);padding-top:var(--global-kb-spacing-sm, 1.5rem);padding-bottom:var(--global-kb-spacing-sm, 1.5rem);grid-template-columns:minmax(0, 1fr) minmax(0, 2fr);}.kb-row-layout-id331_70bead-07 > .kt-row-layout-overlay{opacity:0.30;}@media all and (max-width: 1024px){.kb-row-layout-id331_70bead-07 > .kt-row-column-wrap{grid-template-columns:minmax(0, 1fr) minmax(0, 2fr);}}@media all and (max-width: 767px){.kb-row-layout-id331_70bead-07 > .kt-row-column-wrap{grid-template-columns:minmax(0, 1fr);}}<\/style><div class=\"kb-row-layout-wrap kb-row-layout-id331_70bead-07 alignnone wp-block-kadence-rowlayout\"><div class=\"kt-row-column-wrap kt-has-2-columns kt-row-layout-right-golden kt-tab-layout-inherit kt-mobile-layout-row kt-row-valign-top\">\n<style>.kadence-column331_1e91da-f8 > .kt-inside-inner-col,.kadence-column331_1e91da-f8 > .kt-inside-inner-col:before{border-top-left-radius:0px;border-top-right-radius:0px;border-bottom-right-radius:0px;border-bottom-left-radius:0px;}.kadence-column331_1e91da-f8 > .kt-inside-inner-col{column-gap:var(--global-kb-gap-sm, 1rem);}.kadence-column331_1e91da-f8 > .kt-inside-inner-col{flex-direction:column;}.kadence-column331_1e91da-f8 > .kt-inside-inner-col > .aligncenter{width:100%;}.kadence-column331_1e91da-f8 > .kt-inside-inner-col:before{opacity:0.3;}.kadence-column331_1e91da-f8{position:relative;}@media all and (max-width: 1024px){.kadence-column331_1e91da-f8 > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}@media all and (max-width: 767px){.kadence-column331_1e91da-f8 > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}<\/style>\n<div class=\"wp-block-kadence-column kadence-column331_1e91da-f8\"><div class=\"kt-inside-inner-col\"><style>.kb-image331_e0846c-42 .kb-image-has-overlay:after{opacity:0.3;}<\/style>\n<figure class=\"wp-block-kadence-image kb-image331_e0846c-42 size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"674\" height=\"1024\" src=\"https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/02\/moore1990.jpg\" alt=\"Thumbnail of cover for Marianne Moore : Woman and Poet\" class=\"kb-img wp-image-223\" srcset=\"https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/02\/moore1990.jpg 674w, https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/02\/moore1990-197x300.jpg 197w, https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/02\/moore1990-92x140.jpg 92w, https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/02\/moore1990-317x482.jpg 317w, https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/02\/moore1990-423x643.jpg 423w, https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/02\/moore1990-634x963.jpg 634w\" sizes=\"auto, (max-width: 320px) 85vw, (max-width: 768px) 67vw, (max-width: 1024px) 62vw,674px\" \/><figcaption>Marianne Moore : Woman and Poet (1990)<\/figcaption><\/figure>\n\n\n<style>.wp-block-kadence-advancedbtn.kt-btns331_7ece2d-4c, .site .entry-content .wp-block-kadence-advancedbtn.kt-btns331_7ece2d-4c, .wp-block-kadence-advancedbtn.kb-btns331_7ece2d-4c, .site .entry-content 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#003263;padding-top:7px;padding-right:25px;padding-bottom:7px;padding-left:25px;margin-top:40px;margin-bottom:40px;}.wp-block-kadence-advancedbtn .kb-btn331_cabdb0-2f.kb-button:hover, .wp-block-kadence-advancedbtn .kb-btn331_cabdb0-2f.kb-button:focus{color:#ffffff;background:#003263;border-top-color:#003263;border-top-style:solid;border-right-color:#003263;border-right-style:solid;border-bottom-color:#003263;border-bottom-style:solid;border-left-color:#003263;border-left-style:solid;}@media all and (max-width: 1024px){.wp-block-kadence-advancedbtn .kb-btn331_cabdb0-2f.kb-button{border-top:3px solid #003263;border-right:3px solid #003263;border-bottom:3px solid #003263;border-left:3px solid #003263;}}@media all and (max-width: 1024px){.wp-block-kadence-advancedbtn .kb-btn331_cabdb0-2f.kb-button:hover, .wp-block-kadence-advancedbtn .kb-btn331_cabdb0-2f.kb-button:focus{border-top-color:#003263;border-top-style:solid;border-right-color:#003263;border-right-style:solid;border-bottom-color:#003263;border-bottom-style:solid;border-left-color:#003263;border-left-style:solid;}}@media all and (max-width: 767px){.wp-block-kadence-advancedbtn .kb-btn331_cabdb0-2f.kb-button{border-top:3px solid #003263;border-right:3px solid #003263;border-bottom:3px solid #003263;border-left:3px solid #003263;}.wp-block-kadence-advancedbtn .kb-btn331_cabdb0-2f.kb-button:hover, .wp-block-kadence-advancedbtn .kb-btn331_cabdb0-2f.kb-button:focus{border-top-color:#003263;border-top-style:solid;border-right-color:#003263;border-right-style:solid;border-bottom-color:#003263;border-bottom-style:solid;border-left-color:#003263;border-left-style:solid;}}<\/style><a class=\"kb-button kt-button button kb-btn331_cabdb0-2f kt-btn-size-standard kt-btn-width-type-fixed kb-btn-global-outline  kt-btn-has-text-true kt-btn-has-svg-false  wp-block-kadence-singlebtn\" href=\"https:\/\/secure.touchnet.com\/C22921_ustores\/web\/product_detail.jsp?PRODUCTID=420&#038;SINGLESTORE=true\"><span class=\"kt-btn-inner-text\"><strong>Purchase<\/strong><\/span><\/a><\/div>\n<\/div><\/div>\n\n\n<style>.kadence-column331_384eef-55 > .kt-inside-inner-col,.kadence-column331_384eef-55 > .kt-inside-inner-col:before{border-top-left-radius:0px;border-top-right-radius:0px;border-bottom-right-radius:0px;border-bottom-left-radius:0px;}.kadence-column331_384eef-55 > .kt-inside-inner-col{column-gap:var(--global-kb-gap-sm, 1rem);}.kadence-column331_384eef-55 > .kt-inside-inner-col{flex-direction:column;}.kadence-column331_384eef-55 > .kt-inside-inner-col > .aligncenter{width:100%;}.kadence-column331_384eef-55 > .kt-inside-inner-col:before{opacity:0.3;}.kadence-column331_384eef-55{position:relative;}@media all and (max-width: 1024px){.kadence-column331_384eef-55 > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}@media all and (max-width: 767px){.kadence-column331_384eef-55 > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}<\/style>\n<div class=\"wp-block-kadence-column kadence-column331_384eef-55\"><div class=\"kt-inside-inner-col\">\n<p>Growing out of the NPF centennial conference on Marianne Moore, this volume includes essays on the poet\u2019s life, her poetry, and her relationships with other writers and artists. Section One, \u201cThe Woman and Her Poetry,\u201d includes essays on Moore\u2019s Presbyterian affiliations and her relationship to New York City. Section Two, \u201cThe Poems and a Play,\u201d provides close readings of such important poems as \u201cA Grave\u201d and \u201cPoetry,\u201d as well as more comprehensive discussions of her poetry and an essay on her one play,&nbsp;<em>The Absentee<\/em>. The third section, \u201cPoet Among Poets, a Painter and Critics,\u201d offers discussions of Moore&#8217;s relationships to other writers and artists, including Wallace Stevens, H.D., Elizabeth Bishop, Josephine Miles, and Georgia O\u2019Keeffe. The volume concludes with a 177-page annotated bibliography of critical works on Moore published from 1977 to 1990.<\/p>\n\n\n\n<p>Contributions by: Grace Schulman, Andrew J. Kappel, John M. Slatin, Daniel L. Guillory, Charles Molesworth, Margaret Holley, Elizabeth Gregory, Bonnie Honigsblum, Sister Bemetta Quinn, Lisa Steinman, Betsy Erkkila, Cyrena A. Pondrom, and others.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Contents<\/h3>\n\n\n\n<p><strong>The Woman and Her Poetry<\/strong><\/p>\n\n\n\n<p>Grace Schulman, \u201cMarianne Moore and the American Renaissance\u201d<\/p>\n\n\n\n<p>Andrew J. Kappel, \u201cNotes on the Presbyterian Poetry of Marianne Moore\u201d<\/p>\n\n\n\n<p>Louise Collins, \u201cMarianne Moore, Melvil Dewey, and Lake Placid\u201d<\/p>\n\n\n\n<p>John M. Slatin, \u201cThe Town\u2019s Assertiveness: Marianne Moore and New York City\u201d<\/p>\n\n\n\n<p>Daniel L. Guillory, \u201cMarianne Moore and Technology\u201d<\/p>\n\n\n\n<p><strong>The Poems and a Play<\/strong><\/p>\n\n\n\n<p>Charles Molesworth, \u201cMoore\u2019s Masterpiece:&nbsp;<em>The Pangolin<\/em>\u2019s Alternating Blaze\u201d<\/p>\n\n\n\n<p>Ann Struthers, \u201cMarianne Moore\u2019s Use of Grace in \u2018The Pangolin\u2019\u201d<\/p>\n\n\n\n<p>Margaret Holley, \u201c\u2018Granite and Steel\u2019: The Artist as Anthologist\u201d<\/p>\n\n\n\n<p>Ruth Carrington, \u201cMarianne Moore\u2019s Metaphysical Giraffe\u201d<\/p>\n\n\n\n<p>Jeredith Merrin, \u201cRe-Seeing the Sea: Marianne Moore\u2019s \u2018A Grave\u2019 as a Woman Writer\u2019s Re-vision\u201d<\/p>\n\n\n\n<p>Elizabeth Gregory, \u201c\u2018Silence\u2019 and Restraint\u201d<\/p>\n\n\n\n<p>Bonnie Honigsblum, \u201cMarianne Moore\u2019s Revisions of \u2018Poetry\u2019\u201d<\/p>\n\n\n\n<p>Jeffrey D. Peterson, \u201cNotes on the Poem(s) \u2018Poetry\u2019: The Ingenuity of Moore\u2019s Poetic \u2018Place\u2019\u201d<\/p>\n\n\n\n<p>Maureen Wagner, \u201cThe Inclusive Impulse in the Poetry of Marianne Moore\u201d<\/p>\n\n\n\n<p>Bruce Henderson, \u201cMarianne Moore and&nbsp;<em>The Absentee<\/em>: The Poet as Playwright\u201d<\/p>\n\n\n\n<p><strong>Poet among Poets, a Painter and Critics<\/strong><\/p>\n\n\n\n<p>Sister Bernetta Quinn, \u201cThe Artist as Armored Animal: Marianne Moore, Randall Jarrell\u201d<\/p>\n\n\n\n<p>Linda Leavell, \u201cMarianne Moore and Georgia O\u2019Keeffe: \u2018The Feelings of a Mother \u2013 a Woman or a Cat\u2019\u201d<\/p>\n\n\n\n<p>Lisa Steinman, \u201c\u2018The Magnanimity of a Poetry which Transfigures What It Values\u2019: Marianne Moore and Josephine Miles\u201d<\/p>\n\n\n\n<p>Betsy Erikkila, \u201cElizabeth Bishop and Marianne Moore: The Dynamics of Female Influences\u201d<\/p>\n\n\n\n<p>Rosanne Wasserman, \u201c\u2018A Tutelary Muse\u2019: Moore\u2019s Influence on Bishop\u201d<\/p>\n\n\n\n<p>Cyrena N. Pondrom, \u201cMarianne Moore and H.D.: Female Community and Poetic Achievement\u201d<\/p>\n\n\n\n<p>Peggy Phelan, \u201cWeapons and Scalpels: The Early Poetry of H.D. and Marianne Moore\u201d<\/p>\n\n\n\n<p>Christopher J. Knight, \u201cMarianne Moore: Appreciating Both the Trope of the Imagination and Wallace Stevens\u2019s Handling of the Same\u201d<\/p>\n\n\n\n<p>Gyorgyi Voros, \u201cMarianne Moore and Wallace Stevens: Two Versions of the Gorgeous Surface\u201d<\/p>\n\n\n\n<p><strong>Bibliography<\/strong><\/p>\n\n\n\n<p>Bonnie Honigsblum, \u201cAn Annotated Bibliography of Works about Marianne Moore: 1977-1990\u201d<\/p>\n<\/div><\/div>\n\n<\/div><\/div>","protected":false},"excerpt":{"rendered":"<p>Growing out of the NPF centennial conference on Marianne Moore, this volume includes essays on the poet\u2019s life, her poetry, and her relationships with other writers and artists. Section One, \u201cThe Woman and Her Poetry,\u201d includes essays on Moore\u2019s Presbyterian affiliations and her relationship to New York City. Section Two, \u201cThe Poems and a Play,\u201d [&hellip;]<\/p>\n","protected":false},"author":2234,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_kad_blocks_custom_css":"","_kad_blocks_head_custom_js":"","_kad_blocks_body_custom_js":"","_kad_blocks_footer_custom_js":"","_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"class_list":["post-331","page","type-page","status-publish","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.2 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Marianne Moore : Woman and Poet - The Center for Poetry and Poetics - 91爆料<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/umaine.edu\/poetry\/marianne-moore-woman-and-poet\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Marianne Moore : Woman and Poet - The Center for Poetry and Poetics - 91爆料\" \/>\n<meta property=\"og:description\" content=\"Growing out of the NPF centennial conference on Marianne Moore, this volume includes essays on the poet\u2019s life, her poetry, and her relationships with other writers and artists. 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