  {"id":337,"date":"2023-02-09T11:04:44","date_gmt":"2023-02-09T16:04:44","guid":{"rendered":"https:\/\/umaine.edu\/poetry\/?page_id=337"},"modified":"2024-10-08T11:09:11","modified_gmt":"2024-10-08T15:09:11","slug":"david-jones-man-and-poet","status":"publish","type":"page","link":"https:\/\/umaine.edu\/poetry\/david-jones-man-and-poet\/","title":{"rendered":"David Jones : Man and Poet"},"content":{"rendered":"<style>.kb-row-layout-id337_bdce68-01 > .kt-row-column-wrap{align-content:start;}:where(.kb-row-layout-id337_bdce68-01 > .kt-row-column-wrap) > .wp-block-kadence-column{justify-content:start;}.kb-row-layout-id337_bdce68-01 > .kt-row-column-wrap{column-gap:var(--global-kb-gap-md, 2rem);row-gap:var(--global-kb-gap-md, 2rem);padding-top:var(--global-kb-spacing-sm, 1.5rem);padding-bottom:var(--global-kb-spacing-sm, 1.5rem);grid-template-columns:minmax(0, 1fr) minmax(0, 2fr);}.kb-row-layout-id337_bdce68-01 > .kt-row-layout-overlay{opacity:0.30;}@media all and (max-width: 1024px){.kb-row-layout-id337_bdce68-01 > .kt-row-column-wrap{grid-template-columns:minmax(0, 1fr) minmax(0, 2fr);}}@media all and (max-width: 767px){.kb-row-layout-id337_bdce68-01 > .kt-row-column-wrap{grid-template-columns:minmax(0, 1fr);}}<\/style><div class=\"kb-row-layout-wrap kb-row-layout-id337_bdce68-01 alignnone wp-block-kadence-rowlayout\"><div class=\"kt-row-column-wrap kt-has-2-columns kt-row-layout-right-golden kt-tab-layout-inherit kt-mobile-layout-row kt-row-valign-top\">\n<style>.kadence-column337_7ebf6b-3b > .kt-inside-inner-col,.kadence-column337_7ebf6b-3b > .kt-inside-inner-col:before{border-top-left-radius:0px;border-top-right-radius:0px;border-bottom-right-radius:0px;border-bottom-left-radius:0px;}.kadence-column337_7ebf6b-3b > .kt-inside-inner-col{column-gap:var(--global-kb-gap-sm, 1rem);}.kadence-column337_7ebf6b-3b > .kt-inside-inner-col{flex-direction:column;}.kadence-column337_7ebf6b-3b > .kt-inside-inner-col > .aligncenter{width:100%;}.kadence-column337_7ebf6b-3b > .kt-inside-inner-col:before{opacity:0.3;}.kadence-column337_7ebf6b-3b{position:relative;}@media all and (max-width: 1024px){.kadence-column337_7ebf6b-3b > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}@media all and (max-width: 767px){.kadence-column337_7ebf6b-3b > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}<\/style>\n<div class=\"wp-block-kadence-column kadence-column337_7ebf6b-3b\"><div class=\"kt-inside-inner-col\"><style>.kb-image337_ebfe72-52 .kb-image-has-overlay:after{opacity:0.3;}<\/style>\n<figure class=\"wp-block-kadence-image kb-image337_ebfe72-52 size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"676\" height=\"1024\" src=\"https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/02\/jones1989.jpg\" alt=\"Thumbnail of cover for David Jones : Man and Poet\" class=\"kb-img wp-image-219\" srcset=\"https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/02\/jones1989.jpg 676w, https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/02\/jones1989-198x300.jpg 198w, https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/02\/jones1989-92x140.jpg 92w, https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/02\/jones1989-317x480.jpg 317w, https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/02\/jones1989-423x641.jpg 423w, https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/02\/jones1989-634x960.jpg 634w\" sizes=\"auto, (max-width: 320px) 85vw, (max-width: 768px) 67vw, (max-width: 1024px) 62vw,676px\" \/><figcaption>David Jones : Man and Poet (1989)<\/figcaption><\/figure>\n\n\n<style>.wp-block-kadence-advancedbtn.kt-btns337_4d1db9-ba, .site .entry-content .wp-block-kadence-advancedbtn.kt-btns337_4d1db9-ba, .wp-block-kadence-advancedbtn.kb-btns337_4d1db9-ba, .site .entry-content .wp-block-kadence-advancedbtn.kb-btns337_4d1db9-ba{margin-bottom:35px;}.wp-block-kadence-advancedbtn.kb-btns337_4d1db9-ba{gap:25px;justify-content:center;align-items:center;}.kt-btns337_4d1db9-ba .kt-button{font-weight:normal;font-style:normal;}@media all and (max-width: 1024px){.wp-block-kadence-advancedbtn.kb-btns337_4d1db9-ba{padding-right:50px;padding-left:50px;}}@media all and (max-width: 767px){.wp-block-kadence-advancedbtn.kb-btns337_4d1db9-ba{padding-right:25px;padding-left:25px;}}<\/style>\n<div class=\"wp-block-kadence-advancedbtn kb-buttons-wrap kb-btns337_4d1db9-ba um-UMSingleWhiteandBlueButton\"><style>.wp-block-kadence-advancedbtn .kb-btn337_05e4ca-bf.kb-button{color:#003263;background:#ffffff;font-size:nonepx;border-top-left-radius:0px;border-top-right-radius:0px;border-bottom-right-radius:0px;border-bottom-left-radius:0px;border-top:3px solid #003263;border-right:3px solid #003263;border-bottom:3px solid #003263;border-left:3px solid #003263;padding-top:7px;padding-right:25px;padding-bottom:7px;padding-left:25px;margin-top:40px;margin-bottom:40px;}.wp-block-kadence-advancedbtn .kb-btn337_05e4ca-bf.kb-button:hover, .wp-block-kadence-advancedbtn .kb-btn337_05e4ca-bf.kb-button:focus{color:#ffffff;background:#003263;border-top-color:#003263;border-top-style:solid;border-right-color:#003263;border-right-style:solid;border-bottom-color:#003263;border-bottom-style:solid;border-left-color:#003263;border-left-style:solid;}@media all and (max-width: 1024px){.wp-block-kadence-advancedbtn .kb-btn337_05e4ca-bf.kb-button{border-top:3px solid #003263;border-right:3px solid #003263;border-bottom:3px solid #003263;border-left:3px solid #003263;}}@media all and (max-width: 1024px){.wp-block-kadence-advancedbtn .kb-btn337_05e4ca-bf.kb-button:hover, .wp-block-kadence-advancedbtn .kb-btn337_05e4ca-bf.kb-button:focus{border-top-color:#003263;border-top-style:solid;border-right-color:#003263;border-right-style:solid;border-bottom-color:#003263;border-bottom-style:solid;border-left-color:#003263;border-left-style:solid;}}@media all and (max-width: 767px){.wp-block-kadence-advancedbtn .kb-btn337_05e4ca-bf.kb-button{border-top:3px solid #003263;border-right:3px solid #003263;border-bottom:3px solid #003263;border-left:3px solid #003263;}.wp-block-kadence-advancedbtn .kb-btn337_05e4ca-bf.kb-button:hover, .wp-block-kadence-advancedbtn .kb-btn337_05e4ca-bf.kb-button:focus{border-top-color:#003263;border-top-style:solid;border-right-color:#003263;border-right-style:solid;border-bottom-color:#003263;border-bottom-style:solid;border-left-color:#003263;border-left-style:solid;}}<\/style><a class=\"kb-button kt-button button kb-btn337_05e4ca-bf kt-btn-size-standard kt-btn-width-type-fixed kb-btn-global-outline  kt-btn-has-text-true kt-btn-has-svg-false  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(max-width: 767px){.kadence-column337_695851-46 > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}<\/style>\n<div class=\"wp-block-kadence-column kadence-column337_695851-46\"><div class=\"kt-inside-inner-col\">\n<p>\u201cIt will remain an invaluable compendium of David Jones criticism even after many of the contributors have published the full-length works upon which they are employed.\u201d<\/p>\n\n\n\n<p>\u2014David Hill,&nbsp;<em>Planet, The Welsh Internationalist<\/em><\/p>\n\n\n\n<p>Although his work as a poet was celebrated by T. S. Eliot and W. H. Auden, and although his paintings and engravings were acquired by the Tate Gallery and praised by Kenneth Clark, Jones has never received anything like the attention he deserves by the general public or the academy.&nbsp;<em>David Jones: Man and Poet<\/em>&nbsp;includes reproductions of Jones\u2019 visual art and essays on all aspects of his life and work by poets, literary critics, and art historians, an annotated bibliography, and a list of art works by David Jones in public collections.<\/p>\n\n\n\n<p>Contributors include: Kathleen Raine, Michael Alexander, Guy Davenport, R. S. Thomas, John Montague, Anne Beresford, Vincent Sherry, Jeremy Hooker, Teresa Godwin Phelps, John Peck, Eric Gill, Kenneth Clark, Kathleen Henderson Staudt, Thomas R. Whitaker, and others.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Contents<\/h3>\n\n\n\n<p><strong>The Man<\/strong><\/p>\n\n\n\n<p>T. S. Eliot, \u201cA Note on&nbsp;<em>In Parenthesis<\/em>&nbsp;and&nbsp;<em>The Anathemata<\/em>\u201d<\/p>\n\n\n\n<p>W. H. Auden, \u201cOn&nbsp;<em>IN Parenthesis<\/em>, On&nbsp;<em>The Anathemata<\/em>\u201d<\/p>\n\n\n\n<p>Stephen Spender, \u201cDavid Jones\u201d<\/p>\n\n\n\n<p>Hugh MacDiarmid, \u201cAn Identity of Purpose\u201d<\/p>\n\n\n\n<p>Kathleen Raine, \u201cFrom \u2018David Jones and the Actually Loved and Known\u2019\u201d<\/p>\n\n\n\n<p>Michael Alexander, \u201cFrom \u2018David Jones\u2019 and \u2018The Dream of the Rood\u2019\u201d<\/p>\n\n\n\n<p>Guy Davenport, \u201cIn Love with All Things Made\u201d<\/p>\n\n\n\n<p>R. S. Thomas, \u201cRemembering David Jones\u201d<\/p>\n\n\n\n<p>John Tripp, \u201cA David Jones Mural at Llanthony\u201d<\/p>\n\n\n\n<p>John Montague, \u201cFrom&nbsp;<em>The Great Bell&nbsp;<\/em>(Conversations with David Jones, 1969-1975)\u201d<\/p>\n\n\n\n<p>Anne Beresford, \u201cThomas\u201d<\/p>\n\n\n\n<p>Ren\u00e9 Hague, \u201cFrom&nbsp;<em>Dai Greatcoat<\/em>: A Self-Portrait of David Jones in His Letters\u201d<\/p>\n\n\n\n<p>David Jones, \u201cLetters to H.S. Ede\u201d<\/p>\n\n\n\n<p>William Blissett, \u201cFrom&nbsp;<em>The Long Conversation\u201d<\/em><\/p>\n\n\n\n<p>Thomas Dilworth, \u201cDavid Jones and Fascism\u201d<\/p>\n\n\n\n<p><strong>The Poet<\/strong><\/p>\n\n\n\n<p><em>In Parenthesis<\/em><\/p>\n\n\n\n<p>Colin Hughes, \u201cDavid Jones: The Man Who Was on the Field.&nbsp;<em>In Parenthesis&nbsp;<\/em>as Straight Reporting\u201d<\/p>\n\n\n\n<p>William Blissett, \u201cThe Syntax of Violence\u201d<\/p>\n\n\n\n<p>Neil Corcoran, \u201cSpilled Bitterness:&nbsp;<em>In Parenthesis&nbsp;<\/em>in History\u201d<\/p>\n\n\n\n<p>Vincent Sherry, \u201cThe Ineluctable Monologuality of the Heroic\u201d<\/p>\n\n\n\n<p><em>The Anathemata<\/em><\/p>\n\n\n\n<p>N. K. Sandars, \u201cThe Present Past in&nbsp;<em>The Anathemata<\/em>&nbsp;and Roman Poems\u201d<\/p>\n\n\n\n<p>Jeremy Hooker, \u201cIn the Labyrinth: An Exploration of&nbsp;<em>The Anathemata<\/em>\u201d<\/p>\n\n\n\n<p>Thomas Dilworth, \u201cThe Shape of Time in&nbsp;<em>The Anathemata<\/em>\u201d<\/p>\n\n\n\n<p>Patrick Deane, \u201cThe Text as \u2018Valid Matter\u2019: Language and Style in&nbsp;<em>The Anathemata<\/em>\u201d<\/p>\n\n\n\n<p><em>The Sleeping Lord&nbsp;and&nbsp;The Roman Quarry<\/em><\/p>\n\n\n\n<p>Teresa Godwin Phelps, \u201cThe Tribune and the Tutelar: The Tension of Opposites in&nbsp;<em>The Sleeping Lord<\/em>\u201d<\/p>\n\n\n\n<p>Tony Stoneburner, \u201cNotes Toward Performing \u2018The Sleeping Lord\u2019\u201d<\/p>\n\n\n\n<p>John Peck, \u201cPoems for Britain, Poems for Sons\u201d<\/p>\n\n\n\n<p>Vincent Sherry, \u201c<em>The Roman Quarry&nbsp;<\/em>of David Jones: Extraordinary Persepective\u201d<\/p>\n\n\n\n<p><strong>The Artist<\/strong><\/p>\n\n\n\n<p>Eric Gill, \u201cFrom \u2018David Jones\u2019\u201d<\/p>\n\n\n\n<p>Kenneth Clark, \u201cSome Recent Paintings by David Jones\u201d<\/p>\n\n\n\n<p>Arthur Giardelli, \u201cFour Related Works by David Jones\u201d<\/p>\n\n\n\n<p>Paul Hills, \u201c\u2018The Pierced Hermaphrodite\u2019: David Jones\u2019s Imagery of the Crucifixion\u201d<\/p>\n\n\n\n<p><strong>The Thinker<\/strong><\/p>\n\n\n\n<p>Kathleen Henderson Staudt, \u201cThe Decline of the West and the Optimism of the Saints: David Jones\u2019s Reading of Oswald Spengler\u201d<\/p>\n\n\n\n<p>Thomas R. Whitaker, \u201cHomo Faber, Homo Sapiens\u201d<\/p>\n\n\n\n<p><strong>The Testament<\/strong><\/p>\n\n\n\n<p>Samuel Rees, \u201cDavid Jones Bibliography\u201d<\/p>\n\n\n\n<p>Paul Hills, \u201cA List of Drawings, Paintings, Carvings, and Inscriptions by David Jones in Public Collections\u201d<\/p>\n<\/div><\/div>\n\n<\/div><\/div>","protected":false},"excerpt":{"rendered":"<p>\u201cIt will remain an invaluable compendium of David Jones criticism even after many of the contributors have published the full-length works upon which they are employed.\u201d \u2014David Hill,&nbsp;Planet, The Welsh Internationalist Although his work as a poet was celebrated by T. S. Eliot and W. H. Auden, and although his paintings and engravings were acquired [&hellip;]<\/p>\n","protected":false},"author":2234,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_kad_blocks_custom_css":"","_kad_blocks_head_custom_js":"","_kad_blocks_body_custom_js":"","_kad_blocks_footer_custom_js":"","_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"class_list":["post-337","page","type-page","status-publish","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.2 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>David Jones : Man and Poet - The Center for Poetry and Poetics - 91爆料<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/umaine.edu\/poetry\/david-jones-man-and-poet\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"David Jones : Man and Poet - The Center for Poetry and Poetics - 91爆料\" \/>\n<meta property=\"og:description\" content=\"\u201cIt will remain an invaluable compendium of David Jones criticism even after many of the contributors have published the full-length works upon which they are employed.\u201d \u2014David Hill,&nbsp;Planet, The Welsh Internationalist Although his work as a poet was celebrated by T. 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