{"id":357,"date":"2023-02-09T11:17:11","date_gmt":"2023-02-09T16:17:11","guid":{"rendered":"https:\/\/umaine.edu\/poetry\/?page_id=357"},"modified":"2024-10-08T11:14:01","modified_gmt":"2024-10-08T15:14:01","slug":"t-s-eliot-man-and-poet-vol-1","status":"publish","type":"page","link":"https:\/\/umaine.edu\/poetry\/t-s-eliot-man-and-poet-vol-1\/","title":{"rendered":"T. S. Eliot : Man and Poet, vol. 1"},"content":{"rendered":"<style>.kb-row-layout-id357_125ea1-f9 > .kt-row-column-wrap{align-content:start;}:where(.kb-row-layout-id357_125ea1-f9 > .kt-row-column-wrap) > .wp-block-kadence-column{justify-content:start;}.kb-row-layout-id357_125ea1-f9 > .kt-row-column-wrap{column-gap:var(--global-kb-gap-md, 2rem);row-gap:var(--global-kb-gap-md, 2rem);padding-top:var(--global-kb-spacing-sm, 1.5rem);padding-bottom:var(--global-kb-spacing-sm, 1.5rem);grid-template-columns:minmax(0, 1fr) minmax(0, 2fr);}.kb-row-layout-id357_125ea1-f9 > .kt-row-layout-overlay{opacity:0.30;}@media all and (max-width: 1024px){.kb-row-layout-id357_125ea1-f9 > .kt-row-column-wrap{grid-template-columns:minmax(0, 1fr) minmax(0, 2fr);}}@media all and (max-width: 767px){.kb-row-layout-id357_125ea1-f9 > .kt-row-column-wrap{grid-template-columns:minmax(0, 1fr);}}<\/style><div class=\"kb-row-layout-wrap kb-row-layout-id357_125ea1-f9 alignnone wp-block-kadence-rowlayout\"><div class=\"kt-row-column-wrap kt-has-2-columns kt-row-layout-right-golden kt-tab-layout-inherit kt-mobile-layout-row kt-row-valign-top\">\n<style>.kadence-column357_1c7b99-8d > .kt-inside-inner-col,.kadence-column357_1c7b99-8d > .kt-inside-inner-col:before{border-top-left-radius:0px;border-top-right-radius:0px;border-bottom-right-radius:0px;border-bottom-left-radius:0px;}.kadence-column357_1c7b99-8d > .kt-inside-inner-col{column-gap:var(--global-kb-gap-sm, 1rem);}.kadence-column357_1c7b99-8d > .kt-inside-inner-col{flex-direction:column;}.kadence-column357_1c7b99-8d > .kt-inside-inner-col > .aligncenter{width:100%;}.kadence-column357_1c7b99-8d > .kt-inside-inner-col:before{opacity:0.3;}.kadence-column357_1c7b99-8d{position:relative;}@media all and (max-width: 1024px){.kadence-column357_1c7b99-8d > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}@media all and (max-width: 767px){.kadence-column357_1c7b99-8d > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}<\/style>\n<div class=\"wp-block-kadence-column kadence-column357_1c7b99-8d\"><div class=\"kt-inside-inner-col\"><style>.kb-image357_023869-2e .kb-image-has-overlay:after{opacity:0.3;}<\/style>\n<figure class=\"wp-block-kadence-image kb-image357_023869-2e size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"681\" height=\"1024\" src=\"https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/02\/1eliot1990.jpg\" alt=\"Thumbnail of cover for T.S. Eliot Vol. 1 : Man and Poet\" class=\"kb-img wp-image-215\" srcset=\"https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/02\/1eliot1990.jpg 681w, https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/02\/1eliot1990-200x300.jpg 200w, https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/02\/1eliot1990-93x140.jpg 93w, https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/02\/1eliot1990-317x477.jpg 317w, https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/02\/1eliot1990-423x636.jpg 423w, https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/02\/1eliot1990-634x953.jpg 634w\" sizes=\"auto, (max-width: 320px) 85vw, (max-width: 768px) 67vw, (max-width: 1024px) 62vw,681px\" \/><figcaption>T.S. Eliot Vol. 1 : Man and Poet (1990)<\/figcaption><\/figure>\n\n\n<style>.wp-block-kadence-advancedbtn.kt-btns357_99b48d-78, .site .entry-content .wp-block-kadence-advancedbtn.kt-btns357_99b48d-78, .wp-block-kadence-advancedbtn.kb-btns357_99b48d-78, .site .entry-content .wp-block-kadence-advancedbtn.kb-btns357_99b48d-78{margin-bottom:35px;}.wp-block-kadence-advancedbtn.kb-btns357_99b48d-78{gap:25px;justify-content:center;align-items:center;}.kt-btns357_99b48d-78 .kt-button{font-weight:normal;font-style:normal;}@media all and (max-width: 1024px){.wp-block-kadence-advancedbtn.kb-btns357_99b48d-78{padding-right:50px;padding-left:50px;}}@media all and (max-width: 767px){.wp-block-kadence-advancedbtn.kb-btns357_99b48d-78{padding-right:25px;padding-left:25px;}}<\/style>\n<div class=\"wp-block-kadence-advancedbtn kb-buttons-wrap kb-btns357_99b48d-78 um-UMSingleWhiteandBlueButton\"><style>.wp-block-kadence-advancedbtn .kb-btn357_54efca-9e.kb-button{color:#003263;background:#ffffff;font-size:nonepx;border-top-left-radius:0px;border-top-right-radius:0px;border-bottom-right-radius:0px;border-bottom-left-radius:0px;border-top:3px solid #003263;border-right:3px solid #003263;border-bottom:3px solid #003263;border-left:3px solid #003263;padding-top:7px;padding-right:25px;padding-bottom:7px;padding-left:25px;margin-top:40px;margin-bottom:40px;}.wp-block-kadence-advancedbtn .kb-btn357_54efca-9e.kb-button:hover, .wp-block-kadence-advancedbtn .kb-btn357_54efca-9e.kb-button:focus{color:#ffffff;background:#003263;border-top-color:#003263;border-top-style:solid;border-right-color:#003263;border-right-style:solid;border-bottom-color:#003263;border-bottom-style:solid;border-left-color:#003263;border-left-style:solid;}@media all and (max-width: 1024px){.wp-block-kadence-advancedbtn .kb-btn357_54efca-9e.kb-button{border-top:3px solid #003263;border-right:3px solid #003263;border-bottom:3px solid #003263;border-left:3px solid #003263;}}@media all and (max-width: 1024px){.wp-block-kadence-advancedbtn .kb-btn357_54efca-9e.kb-button:hover, .wp-block-kadence-advancedbtn .kb-btn357_54efca-9e.kb-button:focus{border-top-color:#003263;border-top-style:solid;border-right-color:#003263;border-right-style:solid;border-bottom-color:#003263;border-bottom-style:solid;border-left-color:#003263;border-left-style:solid;}}@media all and (max-width: 767px){.wp-block-kadence-advancedbtn .kb-btn357_54efca-9e.kb-button{border-top:3px solid #003263;border-right:3px solid #003263;border-bottom:3px solid #003263;border-left:3px solid #003263;}.wp-block-kadence-advancedbtn .kb-btn357_54efca-9e.kb-button:hover, .wp-block-kadence-advancedbtn .kb-btn357_54efca-9e.kb-button:focus{border-top-color:#003263;border-top-style:solid;border-right-color:#003263;border-right-style:solid;border-bottom-color:#003263;border-bottom-style:solid;border-left-color:#003263;border-left-style:solid;}}<\/style><a class=\"kb-button kt-button button kb-btn357_54efca-9e kt-btn-size-standard kt-btn-width-type-fixed kb-btn-global-outline  kt-btn-has-text-true kt-btn-has-svg-false  wp-block-kadence-singlebtn\" href=\"https:\/\/secure.touchnet.com\/C22921_ustores\/web\/product_detail.jsp?PRODUCTID=440&#038;SINGLESTORE=true\"><span class=\"kt-btn-inner-text\"><strong>Purchase<\/strong><\/span><\/a><\/div>\n<\/div><\/div>\n\n\n<style>.kadence-column357_274eff-bb > .kt-inside-inner-col,.kadence-column357_274eff-bb > .kt-inside-inner-col:before{border-top-left-radius:0px;border-top-right-radius:0px;border-bottom-right-radius:0px;border-bottom-left-radius:0px;}.kadence-column357_274eff-bb > .kt-inside-inner-col{column-gap:var(--global-kb-gap-sm, 1rem);}.kadence-column357_274eff-bb > .kt-inside-inner-col{flex-direction:column;}.kadence-column357_274eff-bb > .kt-inside-inner-col > .aligncenter{width:100%;}.kadence-column357_274eff-bb > .kt-inside-inner-col:before{opacity:0.3;}.kadence-column357_274eff-bb{position:relative;}@media all and (max-width: 1024px){.kadence-column357_274eff-bb > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}@media all and (max-width: 767px){.kadence-column357_274eff-bb > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}<\/style>\n<div class=\"wp-block-kadence-column kadence-column357_274eff-bb\"><div class=\"kt-inside-inner-col\">\n<p><em>T. S. Eliot: Man and Poet<\/em>&nbsp;is the 11th book in the National Poetry Foundation&#8217;s Man\/Woman and Poet Series and the fourth commemorative centennial work. Its tone is\u2014appropriately\u2014celebratory. More than one hundred years after his birth (and twenty-five years after his death), Thomas Steams Eliot remains arguably the leading English or American poet of the twentieth century and the author of undeniably its most influential poem. His poetry and criticism were so rapidly and completely enshrined that they\u2014and the New Critical principles of interpretation that they engendered\u2014dominated both poetry and its analysis until well into the 1970s. The echoes of his influence still resound.<\/p>\n\n\n\n<p>The twenty-two essays in this collection testify to the wealth of contemporary criticism and also to the still rich potential of Eliot&#8217;s work. The articles, which cover his poetry, plays, and criticism, range widely in both subject and method.<\/p>\n\n\n\n<p>Volume One contains contributions by: Richard Badenhausen, Shyamal Bagchee, Joseph Bentley, Jewel Spears Brooker, Ronald Bush, Barbara Everett, Harvey Gross, Joan Fillmore Hooker, Cleo McNelly Keams, Hugh Kenner, Edward Lobb, James Longenbach, Louis Martz, James E. Miller, Jr., A. D. Moody, Russell Elliott Murphy, Jeffrey M. Peri, J. P. Riquelrne, Sanford Schwartz, Mohammad Shaheen, Richard Shusterman, and W. B. Worthen.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Contents&nbsp;<\/h3>\n\n\n\n<p><strong>\u201cA Shape and a Significance\u201d: Eliot\u2019s Works in General<\/strong><\/p>\n\n\n\n<p>A.D. Moody, \u201cEliot\u2019s Formal Invention\u201d<\/p>\n\n\n\n<p>Ronald Bush, \u201c\u2018Turned Toward Creation\u2019: T.S. Eliot, 1988\u201d<\/p>\n\n\n\n<p>James Longenbach, \u201cUncanny Eliot\u201d<\/p>\n\n\n\n<p>Hugh Kenner, \u201cEliot and the Voices of History\u201d<\/p>\n\n\n\n<p>Russell Elliott Murphy, \u201cEliot\u2019s Grandchildren: The Poet of&nbsp;<em>The Waste Land<\/em>&nbsp;and the Generation of the Sixities\u201d<\/p>\n\n\n\n<p>Shyamal Bagchee, \u201cEliot\u2019s \u2018Only\u2019 (and \u2018All\u2019)\u201d<\/p>\n\n\n\n<p><strong>\u201cThe Whole of Literature: A Simultaneous Existence\u201d: Eliot and Foreign Works<\/strong><\/p>\n\n\n\n<p>Harvey Gross, \u201cCompound Ghost, Triple Devil, Terminal Books\u201d<\/p>\n\n\n\n<p>Joan Fillmore Hooker, \u201cVisions and Revisions: \u2018Gerontion\u2019 in French\u201d<\/p>\n\n\n\n<p>Mohammad Shaheen, \u201cEliot in Modern Arabic Poetry\u201d<\/p>\n\n\n\n<p><strong>\u201cThe Three Voices\u201d: Eliot\u2019s Individual Works<\/strong><\/p>\n\n\n\n<p><em>Early Poetry<\/em><\/p>\n\n\n\n<p>Edward Lobb, \u201cChamber Music: Eliot\u2019s Closed Rooms and Difficult Women\u201d<\/p>\n\n\n\n<p><em>The Waste Land<\/em><\/p>\n\n\n\n<p>Joseph Bentley and Jewel Spears Brooker, \u201cHow to Read the End of&nbsp;<em>The Waste Land<\/em>\u201d<\/p>\n\n\n\n<p><em>Ash-Wednesday<\/em><\/p>\n\n\n\n<p>Louis L. Martz, \u201c<em>Ash-Wednesday<\/em>: Voices for the Veiled Sister\u201d<\/p>\n\n\n\n<p><em>Four Quartets<\/em><\/p>\n\n\n\n<p>Barbara Everett, \u201c<em>East Coker<\/em>: The Village of the Heart\u201d<\/p>\n\n\n\n<p>Cleo McNelly Kearns, \u201cDoctrine and Wisdom in&nbsp;<em>Four Quartets<\/em>\u201d<\/p>\n\n\n\n<p>James E. Miller, Jr., \u201c<em>Four Quartets<\/em>&nbsp;and an \u2018Acute Personal Reminiscence\u2019\u201d<\/p>\n\n\n\n<p><em>Drama<\/em><\/p>\n\n\n\n<p>Richard Badenhausen, \u201c\u2018When the Poet Speaks Only for Himself\u2019: The Chorus as \u2018First Voice\u2019 in&nbsp;<em>Murder in the Cathedral<\/em>\u201d<\/p>\n\n\n\n<p>W.B. Worthen, \u201c<em>Murder in the Cathedral<\/em>&nbsp;and the Work of Acting\u201d<\/p>\n\n\n\n<p><strong>\u201cA Distinctive Activity of the Civilized Mind\u201d: Eliot\u2019s Criticism<\/strong><\/p>\n\n\n\n<p>J. P. Riquelme, \u201cAesthetic Values and Processes in Eliot, Arnold, and the Romantics\u201d<\/p>\n\n\n\n<p>Sanford Schwartz, \u201cT.S. Eliot and the Revolt Against Dualism: His Dissertation on F.H. Bradley in Its Intellectual Context\u201d<\/p>\n\n\n\n<p>Jeffrey M. Perl, \u201cA Post-War Consensus\u201d<\/p>\n\n\n\n<p>Richard Shusterman, \u201cReactionary Meets Radical Critique: Eliot and Contemporary Cultural Criticism\u201d<\/p>\n<\/div><\/div>\n\n<\/div><\/div>","protected":false},"excerpt":{"rendered":"<p>T. S. Eliot: Man and Poet&nbsp;is the 11th book in the National Poetry Foundation&#8217;s Man\/Woman and Poet Series and the fourth commemorative centennial work. Its tone is\u2014appropriately\u2014celebratory. More than one hundred years after his birth (and twenty-five years after his death), Thomas Steams Eliot remains arguably the leading English or American poet of the twentieth [&hellip;]<\/p>\n","protected":false},"author":2234,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_kad_blocks_custom_css":"","_kad_blocks_head_custom_js":"","_kad_blocks_body_custom_js":"","_kad_blocks_footer_custom_js":"","_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"class_list":["post-357","page","type-page","status-publish","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.2 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>T. S. 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