{"id":896,"date":"2023-03-23T11:16:24","date_gmt":"2023-03-23T15:16:24","guid":{"rendered":"https:\/\/umaine.edu\/poetry\/?page_id=896"},"modified":"2024-10-09T15:25:50","modified_gmt":"2024-10-09T19:25:50","slug":"marianne-moore-centennial-conference","status":"publish","type":"page","link":"https:\/\/umaine.edu\/poetry\/marianne-moore-centennial-conference\/","title":{"rendered":"Marianne Moore Centennial Conference"},"content":{"rendered":"<style>.kb-row-layout-id896_3fa560-f2 > .kt-row-column-wrap{align-content:start;}:where(.kb-row-layout-id896_3fa560-f2 > .kt-row-column-wrap) > .wp-block-kadence-column{justify-content:start;}.kb-row-layout-id896_3fa560-f2 > .kt-row-column-wrap{column-gap:var(--global-kb-gap-md, 2rem);row-gap:var(--global-kb-gap-md, 2rem);padding-top:var(--global-kb-spacing-sm, 1.5rem);padding-bottom:var(--global-kb-spacing-sm, 1.5rem);grid-template-columns:minmax(0, 1fr) minmax(0, 2fr);}.kb-row-layout-id896_3fa560-f2 > .kt-row-layout-overlay{opacity:0.30;}@media all and (max-width: 1024px){.kb-row-layout-id896_3fa560-f2 > .kt-row-column-wrap{grid-template-columns:minmax(0, 1fr) minmax(0, 2fr);}}@media all and (max-width: 767px){.kb-row-layout-id896_3fa560-f2 > .kt-row-column-wrap{grid-template-columns:minmax(0, 1fr);}}<\/style><div class=\"kb-row-layout-wrap kb-row-layout-id896_3fa560-f2 alignnone wp-block-kadence-rowlayout\"><div class=\"kt-row-column-wrap kt-has-2-columns kt-row-layout-right-golden kt-tab-layout-inherit kt-mobile-layout-row kt-row-valign-top\">\n<style>.kadence-column896_6c8286-42 > .kt-inside-inner-col,.kadence-column896_6c8286-42 > .kt-inside-inner-col:before{border-top-left-radius:0px;border-top-right-radius:0px;border-bottom-right-radius:0px;border-bottom-left-radius:0px;}.kadence-column896_6c8286-42 > .kt-inside-inner-col{column-gap:var(--global-kb-gap-sm, 1rem);}.kadence-column896_6c8286-42 > .kt-inside-inner-col{flex-direction:column;}.kadence-column896_6c8286-42 > .kt-inside-inner-col > .aligncenter{width:100%;}.kadence-column896_6c8286-42 > .kt-inside-inner-col:before{opacity:0.3;}.kadence-column896_6c8286-42{position:relative;}@media all and (max-width: 1024px){.kadence-column896_6c8286-42 > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}@media all and (max-width: 767px){.kadence-column896_6c8286-42 > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}<\/style>\n<div class=\"wp-block-kadence-column kadence-column896_6c8286-42\"><div class=\"kt-inside-inner-col\"><style>.kb-image896_929fd5-24 .kb-image-has-overlay:after{opacity:0.3;}<\/style>\n<figure class=\"wp-block-kadence-image kb-image896_929fd5-24 size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"665\" height=\"1024\" src=\"https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/03\/mm-conf001-665x1024.jpg\" alt=\"A scan of the cover for the Marianne Moore Centennial Conference\" class=\"kb-img wp-image-897\" srcset=\"https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/03\/mm-conf001-665x1024.jpg 665w, https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/03\/mm-conf001-195x300.jpg 195w, https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/03\/mm-conf001-768x1182.jpg 768w, https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/03\/mm-conf001-91x140.jpg 91w, https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/03\/mm-conf001-317x488.jpg 317w, https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/03\/mm-conf001-423x651.jpg 423w, https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/03\/mm-conf001-634x976.jpg 634w, https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/03\/mm-conf001.jpg 818w\" sizes=\"auto, (max-width: 320px) 85vw, (max-width: 768px) 67vw, (max-width: 1024px) 62vw,665px\" \/><\/figure>\n<\/div><\/div>\n\n\n<style>.kadence-column896_229ddd-f3 > .kt-inside-inner-col,.kadence-column896_229ddd-f3 > .kt-inside-inner-col:before{border-top-left-radius:0px;border-top-right-radius:0px;border-bottom-right-radius:0px;border-bottom-left-radius:0px;}.kadence-column896_229ddd-f3 > .kt-inside-inner-col{column-gap:var(--global-kb-gap-sm, 1rem);}.kadence-column896_229ddd-f3 > .kt-inside-inner-col{flex-direction:column;}.kadence-column896_229ddd-f3 > .kt-inside-inner-col > .aligncenter{width:100%;}.kadence-column896_229ddd-f3 > .kt-inside-inner-col:before{opacity:0.3;}.kadence-column896_229ddd-f3{position:relative;}@media all and (max-width: 1024px){.kadence-column896_229ddd-f3 > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}@media all and (max-width: 767px){.kadence-column896_229ddd-f3 > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}<\/style>\n<div class=\"wp-block-kadence-column kadence-column896_229ddd-f3\"><div class=\"kt-inside-inner-col\">\n<h3 class=\"wp-block-heading\">Program<\/h3>\n\n\n\n<p>FRIDAY, JUNE 12<\/p>\n\n\n\n<p><strong>Session One<\/strong><\/p>\n\n\n\n<p>Chair: Carroll F. Terrell<\/p>\n\n\n\n<p>Introduction of Distinguished Guests<\/p>\n\n\n\n<p><strong>Session Two<\/strong><\/p>\n\n\n\n<p>Panel One<\/p>\n\n\n\n<p>Chair: Cyrena Pondrom<\/p>\n\n\n\n<p>Bonnie Costello, \u201cMarianne Moore and the American Sublime\u201d<br>Dale Davis, \u201cThe Golden Boy: Scofield Thayer\u201d<br>Rosanne Wasserman, \u201cA Tutelary Muse: Marianne Moore Influence on E.B.\u201d<\/p>\n\n\n\n<p>Panel Two<\/p>\n\n\n\n<p>Chair: Catherine Ferry-Wilczek<\/p>\n\n\n\n<p>Dona J. Hickey, \u201cMarianne Moore: The Best of Both Worlds\u201d<br>Margaret Holley, \u201cGranite and Steel: The Artist as Anthologist\u201d<br>Peggy Phelan, \u201cWeapons and Scalpels: Marianne Moore\u2019s and H.D.\u2019s Early Work\u201d<\/p>\n\n\n\n<p><strong>Session Three<\/strong><\/p>\n\n\n\n<p>Chair: Burton Hatlen<\/p>\n\n\n\n<p>Kenneth Burke, \u201cMarianne Moore and Me\u201d<br>M.L. Rosenthal, \u201cMe and Marianne Moore\u201d<\/p>\n\n\n\n<p><strong>Session Four<\/strong><\/p>\n\n\n\n<p>Chair: Bonnie Costello<\/p>\n\n\n\n<p>Patricia Willis, \u201cThe Road to Paradise, Part I\u201d<\/p>\n\n\n\n<p><strong>Session Five<\/strong><\/p>\n\n\n\n<p>Patricia Willis, \u201cThe Road to Paradise, Part II\u201d<\/p>\n\n\n\n<p><strong>Session Six<\/strong><\/p>\n\n\n\n<p>Readings from Marianne Moore\u2019s Poetry<\/p>\n\n\n\n<p>SATURDAY, JUNE 13<\/p>\n\n\n\n<p><strong>Session Seven<\/strong><\/p>\n\n\n\n<p>Panel One<\/p>\n\n\n\n<p>Chair: Bruce Henderson<\/p>\n\n\n\n<p>Cristanne Miller and Lynn Keller, \u201cThe Tooth of Disputation: Marianne Moore\u2019s \u2018Marriage\u2019\u201d<br>Ann Struthers, \u201cMarianne Moore\u2019s Use of Grace in \u2018The Pangolin\u2019\u201d<\/p>\n\n\n\n<p>Panel Two<\/p>\n\n\n\n<p>Chair: Walter Sutton<\/p>\n\n\n\n<p>Lisa M. Steinman, \u201cMarianne Moore and Josephine Miles: Transfiguring Magnanimity\u201d<br>Carole Doreski, \u201cWomen\u2019s Language, Men\u2019s Conflicts\u201d<br>Bonnie Honigsblum, \u201cMarianne Moore\u2019s Revisions of \u2018Poetry\u2019\u201d<\/p>\n\n\n\n<p><strong>Session Eight<\/strong><\/p>\n\n\n\n<p>Chair: Marie Borroff<\/p>\n\n\n\n<p>Charles Molesworth, \u201cIn Earnest of Merits: Marianne Moore\u2019s Early Fiction\u201d<br>John Slatin, \u201cThe Town\u2019s Assertiveness: Marianne Moore and New York City\u201d<br>Walter Sutton, \u201cMarianne Moore and Sibley Watson: A Parliamentary Affair\u201d<\/p>\n\n\n\n<p><strong>Session Nine<\/strong><\/p>\n\n\n\n<p>Chair: Charles Molesworth<\/p>\n\n\n\n<p>Marie Borroff, \u201cDesign in Marianne Moore\u2019s Poetry\u201d<br>Catherine Ferry-Wilczek, \u201cOf Light in Marianne Moore\u2019s Poems, A Symbolic Approach\u201d<\/p>\n\n\n\n<p><strong>Session Ten<\/strong><\/p>\n\n\n\n<p>Panel One<\/p>\n\n\n\n<p>Chair: John Slatin<\/p>\n\n\n\n<p>Elizabeth Gregory, \u201c\u2018Silence\u2019 and Restraint: Enabling Quotation\u201d<br>Linda Leavell, \u201cMarianne Moore and Georgia O\u2019Keefe: \u2018Mother, Woman of Cat\u2019\u201d<br>Daniel Guillory, \u201cMarianne Moore and Technology\u201d<\/p>\n\n\n\n<p>Panel Two<\/p>\n\n\n\n<p>Chair: Grace Shulman<\/p>\n\n\n\n<p>Inmaculada Sanz Sainz, \u201cLogic and The Magic Flute\u201d<br>Louise Collins, \u201cMarianne Moore, Melvil Dewey and Lake Placid\u201d<br>Andrew Kappel, \u201cMarianne Moore Among the Presbyterians\u201d<\/p>\n\n\n\n<p><strong>Session Eleven<\/strong><\/p>\n\n\n\n<p>Chair: Patricia Willis<\/p>\n\n\n\n<p>Emily Wallace, \u201cMarianne Moore and H.D.: Octopus, Octopus\u201d<em>&nbsp;(slide show)<\/em><\/p>\n\n\n\n<p><strong>Session Twelve<\/strong><\/p>\n\n\n\n<p>Chair: M.L. Rosenthal<\/p>\n\n\n\n<p>Bruce Henderson, Katharine Taylor Loesch, Carol Simpson Stern, \u201cEfforts of Affection: A Performance\u201d<\/p>\n\n\n\n<p>SUNDAY, JUNE 14<\/p>\n\n\n\n<p><strong>Session Thirteen<\/strong><\/p>\n\n\n\n<p>Panel One<\/p>\n\n\n\n<p>Chair: Lynn Keller<\/p>\n\n\n\n<p>Betsy Erkkila, \u201cMarianne Moore and Elizabeth Bishop: The Dynamics of Female Influence\u201d<br>Jeanne Heuving, \u201cGender in Marianne Moore\u2019s Art\u201d<br>Celeste Goodridge, \u201cMarianne Moore: Rapping with Louise Bogan\u201d<br>Jeffrey Peterson, \u201c\u2018Poetry\u2019: The Ingenuity of \u2018Place\u2019\u201d<\/p>\n\n\n\n<p>Panel Two<\/p>\n\n\n\n<p>Chair: Daniel Guillory<\/p>\n\n\n\n<p>Ruth Carrington, \u201cMarianne Moore\u2019s Metaphysical Giraffe\u201d<br>Gyorgyi Voros, \u201cMarianne Moore and Wallace Stevens: Moral and Metaphysical Landscapes\u201d<br>Rosalee Sprout, \u201cMarianne Moore and Her Male Mentors\u201d<br>Sister Bernetta Quinn, \u201cThe Artist as Armored Animal: Marianne Moore, Randall Jarrell\u201d<\/p>\n\n\n\n<p><strong>Session Fourteen<\/strong><\/p>\n\n\n\n<p>Chair: Kenneth Burke<\/p>\n\n\n\n<p>Cyrena Pondrom, \u201cMarianne Moore and the Female Community\u201d<br>Grace Schulman, \u201cMarianne Moore and the American Renaissance\u201d<\/p>\n\n\n\n<p><strong>Session Fifteen<\/strong><\/p>\n\n\n\n<p>Chair: Emily Wallace<\/p>\n\n\n\n<p>Lois Bar-yaacov, \u201cMarianne Moore and Ezra Pound: The Odd Couple\u201d<br>Dorothea Steiner, \u201cMarianne Moore and All Those Anthologists\u201d<\/p>\n\n\n\n<p><strong>Session Sixteen<\/strong><\/p>\n\n\n\n<p>Chair: Robert Willis<\/p>\n\n\n\n<p>\u201cMarianne Moore, the Society, and the Future: A Dialogue with the Audience\u201d<\/p>\n\n\n\n<p>Panel: Kenneth Burke, Charles Molesworth, M.L. Rosenthal, Grace Schulman, Emily Wallace, Patricia Willis<\/p>\n<\/div><\/div>\n\n<\/div><\/div>","protected":false},"excerpt":{"rendered":"<p>Program FRIDAY, JUNE 12 Session One Chair: Carroll F. Terrell Introduction of Distinguished Guests Session Two Panel One Chair: Cyrena Pondrom Bonnie Costello, \u201cMarianne Moore and the American Sublime\u201dDale Davis, \u201cThe Golden Boy: Scofield Thayer\u201dRosanne Wasserman, \u201cA Tutelary Muse: Marianne Moore Influence on E.B.\u201d Panel Two Chair: Catherine Ferry-Wilczek Dona J. Hickey, \u201cMarianne Moore: The [&hellip;]<\/p>\n","protected":false},"author":2234,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_kad_blocks_custom_css":"","_kad_blocks_head_custom_js":"","_kad_blocks_body_custom_js":"","_kad_blocks_footer_custom_js":"","_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"class_list":["post-896","page","type-page","status-publish","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.2 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Marianne Moore Centennial Conference - The Center for Poetry and Poetics - 91爆料<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/umaine.edu\/poetry\/marianne-moore-centennial-conference\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Marianne Moore Centennial Conference - The Center for Poetry and Poetics - 91爆料\" \/>\n<meta property=\"og:description\" content=\"Program FRIDAY, JUNE 12 Session One Chair: Carroll F. 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